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Song Name: Sthayi Bhavavista Citta
Official Name: Rupanuga Bhajana Darpana Song 22
Author: Bhaktivinoda Thakura
Book Name: Gitamala
Language: Bengali
LYRICS:
(1)
sthāyī bhābābiṣṭa citta pāiyā
bibhāba-bitta
udbhaṭa bhābete āpanāra
prāṇa-bṛtte nyasa kore prāṇa
sei nyāsa-bhore
deha prati bikṛti cālāya
(2)
baibarṇya romańca sweda stambha kampa swara-bheda
pralayāśru
e aṣṭa bikāra
sańcārī
je bhābacoya harṣāmārṣa
āra bhoya
biṣāda
bismoyādi
(3)
prabṛtti kāraṇa hoya līlā-kāle rase loya
āpane koraya anukhaṇa
dhūmayitā ujjwalitā dīptā
āra su-uddīptā
ei cāri abasthālakhaṇa
(4)
jāra jei adhikāra sāttwika
bikāra
se lakhaṇe
hoya to' udoya
mahā-bhāba daśā jathā su-uddīptā bhāba tathā
anāyāse su-lakhitā hoya
TRANSLATION
1)
When one's consciousness is overwhelmed with one's permanent ecstasy (sthayi-bhava), and attains the wealth of all special
stimulants (vibhava), then another effect is produced
of its own accord. That is, the life-air is regulated and forcibly directed
within the body, thus causing various unusual transfigurations of the body.
2)
The eight sattvika-vikaras are: changing of bodily
colors, standing up of hairs, perspiration, shivering, choked voice, physical
devastation, mental stupor, and torrents of tears. There are also 33 other
transitory ecstasies known as sancari, including such
emotions as jubilation, sorrow, fear, anguish, wonder, etc.
3)
According to the particular mellow at play during any given lila
of Radha-Krsna's eternal pastimes, then the sattvika bhava can take on four
different degrees of intensity, namely 1) dhumyita
(smoldering), 2) ujjvalita (ignited), 3) dipta (burning), and 4) uddipta
(blazing).
4)
Whoever has the adhikara or the capacity of
qualification for these ecstasies experiences the awakening of the symptoms of
the eight sattvika-vikaras. However, only in the mahabhava stage (as in Srimati Radharani) is it possible to observe the ornament of the uddipta blazing ecstasy.
REMARKS/EXTRA INFORMATION:
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UPDATED: July 10, 2009