Krsna Kirtana Songs est. 2001 www.kksongs.org
Lesson 18:
Accompaniment (III): Starting After the Sam
There
are a whole handful of songs that start after the sam. This means that the
first words of the song fall after the sam of the cycle. These songs require a
careful ear, because at least one whole cycle has to be heard in order to get a
clear idea where to start. Here is an example of a song that could be used for
any catasra jati tala, but preferably used for tintal or Prabhupada tala.

Notice
how there is a space in the sam. The first words in each cycle start off on the
second matra.
While
the fact that the mridanga player should match the sam of the singer and play
in this manner, it is possible to start off at a vibhag point closer to the
center of the cycle, like matra
Since
all three types of accompaniment scenarios are mentioned, a mix bag of songs
are presented. Play the tala (or talas) selected for each type and accompany
them.
ACCOMPANIMENT
Bhaja Hu Re Mana
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Samsara Davanala Lidha Loka
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Udilo Aruna Puraba Bhage
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Jaya Jaya Jagannatha Sacira Nandan
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Jaya Radha Giri Vara Dhari
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Krsna Jinaka Nama Hai
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Hari Haraye Namah
Listen to the clip and begin accompaniment
ACCOMPANIMENT
Amar Nitai Mile Na
Listen to the clip and begin accompaniment
With
the last two, you decide which rhythmic cycle works.
ACCOMPANIMENT 9:
Jaya Jaya Gauracander Arotik Sobha
Listen to the clip and begin accompaniment
ACCOMPANIMENT 10:
Namaste Narasimhaya
Listen to the clip and begin accompaniment