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Bol Techniques
The
order and orientation of plucking in sitar is very important. To describe the
method of plucking, we used a technique of what is known as bols. For tabla
players and other Indian percussionists, the bol is
known as the name of the sounds produced by the drums. In sitar, the bol is the name of the way a string is struck. In sitar,
there are four bols to know.
Before
we discuss the bols, we must discuss how one plucks
the sitar. The sitar does not use any kind of plectrum, such as the coconut jab
of the sarod or the guitar pick for some guitarists.
Instead, the index finger of the plucking hand wears a finger pick known as the
mizrab.
The finger and mizrab have the dual role of plucking
and act as a plectrum for the instrument. Note how the correct orientation of mizrab for playing sitar. For those who actively play vina, you may have your mizrab
orientation to be slightly different. For sitar players, the finger is inserted
between the two metal flaps in such a way that the top loop of the mizrab is dividing your finger symmetrically, not
frontally.
It
is important that one purchases a mizrab that is not
too tight or too loose. Just the right snug fit is needed with the top of the mizrab being a quarter inch longer than the top of the
finger.
DA is the bol representing the upward strike.
The mizrab starts from the bottom end of the string
and strikes upward.
RA is the bol representing the downward strike.
The mizrab starts from the top end of the string and
strikes downward.
DIRI is a quick flick doing a Da,
followed by an immediate Ra. It will seem like a “stutter” from the sitar.
CHIK is a Ra stroke played on the chikari string.
For the most part, the chikari strings will always
receive Ra orientation.
When
playing, the strumming pattern is always Da-Ra-Da-Ra-Da-Ra.
If a chikari string is in the composition, then that
will take over the Ra bol. For example, Da-Ra-Da-Chik-Da-Ra-Da-Chik-Da.
Watch
the video to see how the strumming action for the bols take place.
UPDATED: June 23, 2009