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Tala Name: Bhajani
Matras: 8
Divisions: 4+4
Tali: 1
Khali: 5
Jati: Catastra
Bol:
X |
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0 |
|
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhin |
tā |
dhin |
dhin |
tā |
tin |
tā |
tin |
tin |
tā |
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Of the most commonly heard talas in semi-classical music is the bhajani tala. As the name implies, this is almost always heard in bhajans. The framework requires an off-beat pattern for matras 2, 3, 6, and 7. This is what gives this a special feel whenever it is played. Some consider this a unique tala, while others claim it is just another version of Kaherva Tala.
PRAKARS (played on mridanga with kartal accompaniment):
X |
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|
0 |
|
|
|
||||
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
||||
dhin |
tā |
dhin |
ti |
dhā |
dhin |
tā |
ti |
ki |
tin |
tā |
|
X |
|
|
|
0 |
|
|
|
||||
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
||||
dhin |
tā |
gha |
ti |
gha |
tā |
kat |
tā |
ki |
ti |
ka |
tā |
VIDEOS:
Khol
(Mridanga) Lesson 11 – 1: DIDACTIC
Khol (Mridanga)
Lesson 11 – 2: PRACTICE
Khol (Mridanga) Lesson 11 A:
Prakar 1
Khol (Mridanga) Lesson
11 B: Prakar 2
UPDATED: November 4, 2017